When ordering fabric samples within previous projects i have realised they take an awful long time to arrive and i have had to order my final fabrics before receiving my samples in the past. Learning from this, within the first quarter of this project i started to order a range of samples which although do not feature my final designs, do incorporate my colour pallet and some imagery which is featured within my final designs. For myself i really wanted to consider how my colour pallet was working with different fabrics from a very early stage in order to make a well rounded and educated decision at the end of the project over what fabrics would be best for my collection. As well as this, if my colour pallet was not working with most substrates this would have also given me a chance to revisit this with lots of time to spare.
As i am working for children’s interiors i focused on finding soft, durable and practical materials for my project. I feel having some really soft fabrics within my collection should reach out to my target market because of their soft and desirable feel to the touch. As well as interior fabrics i have also been looking at some for pj and fairy wings which will also feature in my end of year show. Now moving onto ordering my final designs this book of samples is a brilliant resource as i can accurately see which fabrics are most suitable for different products and which hold the hues closest to my colour pallet.
For my final collection Top Sateen will be a staple as it is light weight, holds the hues well and is appropriate for a broad range of products. As well as this the feel of the short pile velvet is really desirable as it is silky to the touch; however, this is heavier in weight meaning it is less malleable and will not be appropriate for items such as pj’s and bedding.
When ordering my samples i done this on two separate occasions, first to get the main lot of samples and secondly to get any added extras i discovered later in the project. Unfortunately i was not aware of the scale i was printing within the first lot of fabrics so the designs look awfully tiny. Despite this, i learnt from my mistakes when ordering the second lot and ensured these were at a larger scale. Despite making this mistake i am glad i did as it will mean i will not make it again later in the project. This was another good reason for ordering my samples so early as i had a chance to rectify and analyse how and where i went wrong.
To attach the samples to the book pages i decided to use a craft glue. Initially i was thinking about using a simple hand running stitch with embroidery thread; however, felt this would be too time consuming. Despite the craft glue working well for the heavier weighted fabrics, on the more shear substrates the glue shows through slightly making it look less professional. I decided to only attach the fabrics at the top and not stick them down fully so when looking through my samples i could properly feel them and also look at their undersides incase this would be showing on a product. When adding their names to each page i did initially consider attaching them underneath the fabrics to make the pages look clean. However, upon further reflection i realised it would be a better resource for myself to make them easily accessible so when coming to order my substrates i knew exactly what i was looking at.
Overall despite these samples costing me a fair amount i am really glad i have got them as they have proved a vital resource for when ordering my final substrates. It is so useful to have them sitting by my desk in an easily accessible book as i know if i need a substrate all i have to do is flick through and i can quickly and easily find one.
Since we have now been told all our hand-ins will be online i have decided to upload an image of each page within this sketchbook. In total i ordered 22 different substrate samples including three different wallpaper samples as some of my designs will also be for wallpapers. If uni was still open i would have liked to have gone in and scanned in these pages so the images look neater and clearer; however, i feel for the rest of the project we have to make the best of what we have got.
As well as as looking at the fabrics visual and textural quality i have also looked into the composition of each fabric. It is important to understand what makes up the fabric to know which products the substrate will be best suited to and also how it can be treated and cleaned.
- Eco French Terry: 50% RPet, 25% Polyester, 25% Cotton
- Cuddle Fleece: 100% Polyester
- Plush Minky: 100% Polyester
- Easy Quilt: Polyester and Elastane
- Stretch Jersey: Polyester and Elastane
- Radiant Velvet: 100% Polyester
- Cotton Slub: 100% Cotton
- Cotton Percale: 100% Cottom
- Melino Linen: 7% Linen, 93% Cotton
- Lemani Linen: 10% Linen, 90% Cotton
- Top Sateen: 100% Cotton
- Optic White Organic Panama: 100% Cotton
- Gloss Satin: 100% Cotton
- Power Net: 100% Polyester
- Fashion Velvet: 100% Polyester
- Velvet: 100% Polyester
- Short Pile Velvet: 100% Polyester